Notes from the Booth
The night projectionist at a failing picture house typed a sheet for every midnight show. Six survive: on house rules, the machine, the regulars, and the last night.
A reading room for terminal culture
Room 03/16 reading copies filed under
The library keeps reading copies of countercultural print: stapled zines, pamphlets issued in editions of a few hundred, essays that circulated as photocopies, and books that went out of print before they found their readers. Every text can be read on the page or downloaded as a PDF, and each comes with a note on where it came from and how to read it.
The night projectionist at a failing picture house typed a sheet for every midnight show. Six survive: on house rules, the machine, the regulars, and the last night.
A professional medium of the 1880s gives up the trade and explains how the seance was staged, who it was staged for, and the one evening she could not explain.
Two artists won a civic prize and burned the money in a boiler house. A year later they published the accounts, line by line.
A memoir of cutting forbidden records onto hospital X-rays, written by one of the cutters thirty years later. Translated into English for the first time.
A schoolteacher in a company town wrote nine letters to her sister about the year after the works stopped. Translated into English for the first time.
A 1988 essay on the cassette underground: home duplication, trade by post, and a music made from the sounds of machinery.
Three issues of a zine typed, copied and left in the canteen by the night shift of a steel plant in its final years.
A 1992 zine arguing that the office photocopier is the great magical instrument of the age.
A privately printed pamphlet of 1902 that asks the questions of a child's religious primer and returns the answers of a rebel.
Fourteen numbered notes on the dead shopping center, written in 2003 and circulated as a stapled offprint.
Twelve theses on optimism, issued as a sixteen-page pamphlet in 1978 and out of print within the year. Compact, furious and frequently funny.
A chapbook sermon of 1994 that retells the Gnostic creation myth as the history of a factory town.
Twenty years of visits to religious movements too small to alarm anyone, written up with the patience of a naturalist.
The catalog of a 1986 exhibition that showed only undeliverable post: mail art addressed to places that do not exist.
A mock almanac issued on the eve of the millennium, with weather, feast days and household advice for a year that, by its own cover, would not arrive.
A handbook written by six people who had each left a demanding religious group, for anyone inside one who has begun, privately, to wonder.
Nothing of that kind is shelved in this room yet.